BOOK CHAPTERS


Taylor, J., & Rowley, J. (2017). “Building professional capabilities: ePortfolios as developmental ecosystems”. In J. Rowley (Ed.), ePortfolios in Australian Universities – Research Findings and Emerging Practices in Enhanced Student Learning. Springer: Singapore.

Taylor, J. (2016). “An ARTISAN perspective for software development, commercialisation and artistic co-creation: A case study”. In A. Lugmayr, E. Stojmenova, K. Stanoevska, and E. Wellington (Eds.), Information Systems and Management in eMedia and Creative Industries. Springer: Cham.

JOURNAL ARTICLES


Taylor, J. & Milne, A. (2019) “The Rhythmotron”. Leonardo Music Journal, 29, pp. 67-72. doi:10.1162/LMJ_a_01066

Taylor, J. (2017). “Designing a computer model of jazz drumming: The biomechanics of percussive performance”, Human Technology: An Interdisciplinary Journal on Humans in ICT Environments. Special issue: Human-Technology Choreographies: Body, movement, and space, 13 (1), pp. 109-141. doi: 10.17011/ht/urn.201705272520.

Taylor, J., Dunbar-Hall, P., & Rowley, J. (2012). “The ePortfolio Continuum: Discovering variables for ePortfolio adoption within Music Education”, Australian Journal of Educational Technology, 28 (8), pp. 1362-1381.

CONFERENCES


Carey, B., Taylor, J., & Barbeler, D. (2015). An Interactive Multimodal Installation Using Real-Time Spectral Analysis. In I. Stevenson (Ed.), Proceedings of the 2015 Conference of the Australasian Computer Music Association. Sydney, Australia. pp. 34-39. Available from <http://acmc2015.net>.

Humberstone, J., & Taylor, J., (2015). Making Music Learning Fun – Designing an Interactive iBook for Informal Learning. In I. Stevenson (Ed.), Proceedings of the 2015 Conference of the Australasian Computer Music Association. Sydney, Australia. pp. 69-74. Available from <http://acmc2015.net>.

Rowley, J., Dunbar-Hall, P., Bell, M., & Taylor, J. (2012). “A Music teachers development – documenting the journey for accreditation”. In A. Poot (Ed.) Making the case: More effective practice with PebblePad. Pebble Learning: Telford, UK, 2012, pp. 111-114.

Dunbar-Hall, P., Rowley, J., Bell, M., & Taylor, J. (2012). “Music Education and ePortfolios: New thinking for the preparation of music teachers”. ISME 30th World Conference on Music Education, Thessalonika, Greece, June 2012, pp. 115-120.

Rowley, J., Bennett, D., Blom, D., Dunbar-Hall, P., Taylor, J., & Hitchcock, M. (2012). “ePortfolios in CAPA”. 2012 ePortfolio Forum: Connecting & Sharing, September 27, 2012, ACU, Sydney, Australia.

Taylor, J. (2008). “Digital Micro-Timing”. ISSSM in Music Interaction, University of Ghent, Belgium. 28 August – 7 September 2008.

INTERACTIVE INSTALLATIONS AND LIVE PERFORMANCES


Taylor, J., & Milne, A. (2019). “Art on the Edge”, Inner West Council, Leichardt, Sydney, 29 March – 1 April 2019.

Milne, A., Taylor, J., & Stanton, C. (2018). “Rhythmotron”, CeBIT 2018, Darling Harbour ICC, Sydney, 15 – 17 May 2018.

Milne, A., Taylor, J., & Stanton, C. (2017). “Rhythmotron”, CoLabs, Bungarribee Park, Sydney, 29 Sept – 8 Oct 2017, Art Futures Ltd. <https://www.colabs.org.au/artists/john-r-taylor/>.

Barbeler, D., Jetis, T., Taylor, J., & Frame, C. (2017). “The Music Orchard”, Campbell’s Cove, Vivid Lightwalk, Vivid Sydney, May 26 – June 17, 2017. <https://www.vividsydney.com/event/light/music-orchard>.

Taylor, J., Barbeler, D., & McDermott, P. (2017). “The Sound Bubble + Sound Bubble Sound Party”, Sydney City Recital Hall, Vivid Lightwalk, Vivid Sydney, May 26 – June 17, 2017. City Recital Hall: Sound Bubble Sound Party and City Recital Hall: Sound Bubble.

Taylor, J., & Barbeler, D. (2016). “The Sound Bubble”, Circular Quay, Vivid Lightwalk, Vivid Sydney, May 27 – June 18, 2017. <http://www.vividsydney.com/event/light/sound-bubble>.

de Berigny, C., Taylor, J., & Watson, J., (2016). “To the Sea”, Vivid Sydney, June 9-11, 2016. Central Park Digital Interactive Wall, Central Park Shopping Centre, Broadway, Sydney.

Ramus, B., Poronnik, P., Cook J., & Taylor, J. (2016). “Many Hands Make Light Work”. Central Park Digital Interactive Wall, Curatorial Program 2016, Central Park Shopping Centre, Broadway, Sydney. April 1-15, 2016. <http://ramus.com.au/portfolios/many-hands-make-light-work/>.

Barbeler, D., Taylor, J., & Crabb, J. (2015). “Green Leaves on Black”. Eucalypts and Time Crystals, Tyalgum Music Festival, 11-13 September 2015. Software and technical collaboration by John Taylor.

Barbeler, D., Forsyth, N., Carey, B., Taylor, J., & Hoy, M. (2015). “Bruce’s Shed”. The Acoustic Life of Sheds, BIG hART, Tasmanian International Arts Festival, East Wynyard, Tasmania, 21-29 March 2015.

Taylor, J. (2008). “Digital Micro-Timing”. ISSSM in Music Interaction, University of Ghent, Belgium. 28 August – 7 September 2008.

COMPOSITIONS


Taylor, J. (2015) “Meso-Periodic Circle No. 1”. Premiere at the Sydney Conservatorium of Music, 9 September 2015. Arrangement: Daryl Pratt.

Taylor, J. (2012) “Quark” [composition]. WDGR 91.1 FM, Plainfield, Vermont, USA., 24 August 2012.

Taylor, J. (2012) “Origins of Irritation” [composition]. MadLab, Manchester, UK, 23 August 2012.

ORIGINAL SOFTWARE


Taylor, J. (2015) “PD-103” [computer software]. Sydney. A percussive performance modeller, written in Max/MSP and Java. GUI created using Adobe Photoshop and Fireworks.

CURATED RESEARCH WEBSITES


Mitchell, H., Latukefu, L., Benedict, R., Taylor, J. 2016. MusicListening: Preparing listeners for music performance evaluation. The University of Sydney.

Rowley, J., Bennett, D., Blom, D., Dunbar-Hall, P., Hitchcock, M., Munday, J., Collins, A., Polly, P., & Taylor, J. (2015). ePortfolioAssist, Australia: The University of Sydney.

AWARDS, GRANTS, AND PRIZES


2019       Art on the Edge, Inner West Council, Sydney.
2018       Liveable Communities Grant, NSW Family & Community Services.
2017       CoLabs Development grant, Rhythmotron.
2017       NSW Vivid Sydney development grant (Music Orchard).
2017       NSW Vivid Sydney development grant (Sydney City Recital Hall).
2016       NSW Vivid Sydney development grant (Sound Bubble).
2011        Commonwealth Commercialisation Training Scheme (CTS) Scholarship.
2010       Human Communication Sciences Network (HCSNET) WinterFest Bowral, NSW.
2010       Apple Inc. Worldwide Developer Conference – San Francisco, USA.
2010       Apple Inc. Quartz Composer Workshop. Melbourne, VIC.
2009       George & Margaret Henderson Scholarship, Sydney Conservatorium of Music.